Patrick Modiano, from In the Café of Lost Youth
Text ID: I have the feeling that anything is possible. The year begins in the month of October.
Patrick Modiano, from In the Café of Lost Youth
Text ID: I have the feeling that anything is possible. The year begins in the month of October.
think it’s a deep consolation to know that spiders dream, that monkeys tease predators, that dolphins have accents, that lions can be scared silly by a lone mongoose, that otters hold hands, and ants bury their dead. that there isn’t their life and our life. nor your life and my life. that it’s just one teetering and endless thread and all of us, all of us, are entangled w it as deep as entanglement goes. v neat i think.
“My friends are cyborgs, but that’s okay” is a mockumentary project made to imagine a world where Asian bodies navigate as cyborgs in a hegemonic human society. It explores the complex state of being cyborgs and asian — fluid, transgressive, marginalized but also stereotyped as unemotional and inhuman.
In A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century, Donna Haraway once suggested that “'women of color’ might be understood as a cyborg identity, a potent subjectivity synthesized from fusions of outsider identities’’. Cyborg myth for Haraway is about “transgressed boundaries, potent fusions, and dangerous possibilities which progressive people might explore as one part of needed political work”.
Asian bodies especially, in the media and in general are often seen as robotic, intelligent but less human. Different from Orientalism, the Techno-Orientalism found in many speculative fiction films and books, such as Blade Runner, imagines the future to be hypo technological cities resembling Tokyo, Hong Kong, and Shanghai, and sexualized, dehumanized asian looking cyborgs. The series is an attempt to create a narrative of cyborgs of our own: My friends are cyborgs, but that’s okay. It is to envision a change of the prevalent binary view, reconstructing the boundaries of daily life and to create a dangerously happy ever after posthuman world for cyborgs.so enamored by this photo project by ramona jingru wang
THINGS DON’T NEED TO BE PERMANENT TO BE BEAUTIFUL!!! VALUE IS NOT STORED IN PERMENANCE!! TO BE ALIVE IS TO EXPERIENCE EVANESCENCE!!!
Using the moon for a bed. Earthology. 1901.
paullina simons the summer garden
adonis, tr. by khaled mattawa
Yuan Bo Chao for Marie Claire China May 2020 by Nick Yang
Gorgon head sculpture in the the Severii Forum of Leptis Magna, the well preserved ancient city along the Mediterranean Sea, located 120 km East of Tripoli, Libya.
i’m a simple girl: i see sunlight on the water, i find god
i hear the laugh of someone i love, i find god. the setting sun fills my room, i find god. i eat fresh strawberries off the vine, i find god. someone rests their head on my shoulder, i find god.
beautifultimes-beautifulplaces:
Cueva de las Manos, Argentina
Claude Monet (French, 1840-1926)
Le Bassin de nymphéas